Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | HaCohen, Ruth: Between Noise and Harmony: The Oratorical Moment in the Musical Entanglements of Jews and Christians. CriticalInquiry 32 (2006), 250-277. | |
| 2. | HaCohen, Ruth: Exploring the Limits: the Tonal, the Gestural, and the Allegorical in Bach's Musical Offering. UnderstandingBach 1 (2006), 19-38. http://www.bachnetwork.co.uk/ub1/hacohen1.pdf | |
| 3. | Bruckstein, Almut Sh.; HaCohen, Ruth: An experiment in reception and conception: re-texting Bach's St John Passion for Good Friday 2005. UnderstandingBach 1 (2006), 87-88. http://www.bachnetwork.co.uk/ub1/hacohen2.pdf | |
| 4. | HaCohen, Ruth: Nineteenth-Century Legacy Projected onto the Twenty First: A German-Israeli Dialogue on Bach's Passions. [p]BNUK_Oxford (Jan 2008) A paper read at the Third J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 5-6 January 2008. | |
| 5. | HaCohen, Ruth: The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Processes in Neo-Platonic Frames. [p]BNUK_Oxford (Jan 2009) A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. | |
| 6. | HaCohen, Ruth: The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Process in Neoplatonic Frames. UnderstandingBach 4 (2009), 33-54. http://www.bachnetwork.co.uk/ub4/hacohen.pdf | |
| 7. | HaCohen, Ruth: The Music Libel Against the Jews. New Haven, CT: Yale University Press, 2011. 532p. ISBN: 9780300167788. | |